German List #: For the Dying Calves

Beyond Literature: Oxford Lectures

German List #: For the Dying Calves
Durs Grunbein, Karen Leeder
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Hardback
h229 x 152mm - 164pg
15 Oct 2021 UK
International import eta 10-30 days
9780857429544
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Poetically written and originally given as lectures, this is a moving essay collection from Durs Grunbein. In his four Lord Weidenfeld Lectures held in Oxford in 2019, German poet Durs Grunbein dealt with a topic that has occupied his mind ever since he began to perceive his own position within the past of his nation, his linguistic community, and his family: How is it possible that history can determine the individual poetic imagination and segregate it into private niches? Shouldn' t poetry look at the world with its own sovereign eyes instead? In the form of a collage or "photosynthesis," in image and text, Grunbein lets the fundamental opposition between poetic license and almost overwhelming bondage to history appear in an exemplary way. From the seeming trifle of a stamp with the portrait of Adolf Hitler, he moves through the phenomenon of the "Fuhrer' s streets" and into the inferno of aerial warfare. In the end, Grunbein argues that we are faced with the powerlessness of writing and the realization, valid to this day, that comes from confronting history. As he muses, "There is something beyond literature that questions all writing. "

"I"
30 April 1945: The Day Hitler Shot Himself and Germany's Integration with the West Began
Air Raid
Alice in Sussex: Mahler after Lewis Carroll and H. C. Artmann
Anarchy's Brief Summer: The Life and Death of Buenaventura Durruti
Anselm Kiefer in Conversation with Klaus Dermutz
Apostoloff
Art of Diremption, The: On the Powerlessness of Art
August
Beloved of the Dawn, The
Blumenberg
Collected Poems
Correspondence
Cox: Or the Course of Time
Dark Company: A Novel in Ten Rainy Nights
Dark Ship, The
Dispatches from Moments of Calm
Drilling Through Hard Boards: 133 Political Stories
Fire Doesn't Burn
Flowers for Otello: On the Crimes That Came Out of Jena
Flying Mountain, The
For the Dying Calves: Beyond Literature: Oxford Lectures
Fury
Gone But Not Forgotten: My Favourite Flops and Other Projects that Came to Nothing
Gramsci's Fall
Great Fall, The
Holderlin: A Play in Two Acts
I Am a Field Full of Rapeseed, Give Cover to Deer and Shine Like Thirteen Oil Paintings Laid One on Top of the Other
In Search of Lost Time: Mahler after Proust (Graphic Novel)
It All Tastes of Farewell: Diaries, 1964-1970
Jew Car, The
Killing Happiness
King of China, The
Kong's Finest Hour: A Chronicle of Connections
Loving at a Distance
Money, Money, Money!: A Short Lesson in Economics
Monsters Like Us
Night Music: Essays on Music 1928-1962
Notebooks, Volume 1, 1998-99
On Tarrying
Part of the Solution
Party Fun with Kant
Rubble Flora: Selected Poems
Sea in the Radio, The: Journal Sentences
September: Mirage
Sex of the Angels, The Saints in Their Heaven, The: A Breviary
Shadow-Boxing Woman, The
Silences of Hammerstein, The
Singers Die Twice: A Journey to the Land of Dhrupad
Squandered Advice
Starlite Terrace
Storm Still
The Fire Above, the Mountain Below
Three Plays: Philoctetes, the Horatian, Mauser
Three Plays: Rechnitz, the Merchant's Contracts, Charges (the Supplicants)
Ulysses: Mahler after Joyce
Unfinished, The
Village Indian, The
What Darkness Was
What Was Before

Durs Grunbein was born in Dresden in 1962, and he now lives in Berlin and Rome. He is professor of poetics and aesthetics at the Kunstakademie Dusseldorf. He has written more than twenty-five books, including, most recently, Porcelain, also published by Seagull Books. Karen Leeder is a writer, translator, and academic. She teaches German at New College, Oxford.

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