Witnessing Slavery: Art and Travel in the Age of Abolition

Witnessing Slavery: Art and Travel in the Age of Abolition
Sarah Thomas
RRP:
NZ$ 129.00
Our Price:
NZ$ 109.65
Hardback
h250 x 150mm - 352pg
10 Sep 2019 UK
International import eta 10-30 days
9781913107055
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Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because of the empirical opportunities to document slave life it afforded, but also because the imagery of the eyewitness was more credible than sketches and paintings created by the "armchair traveler" at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject.
Status: Active
ISBN-13: 9781913107055
Published: 10 Sep 2019
Published In: United Kingdom
Imprint: Paul Mellon Centre for Studies in British Art
Publisher: Paul Mellon Centre for Studies in British Art
Format: Hardback
Height: 250mm
Width: 150mm
Pages: 352

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