W-3

- Reviews -

A devastating memoir . . . Reading it now, what stands out is how bracingly modern it feels - Howland' s sharp portraits of her fellow patients, the unsparing eye she turns on herself, her refusal to look away from daily humiliations . . . Howland is finally getting the recognition that she deserves. -- Sarah Hughes * iNews * There' s no more interesting tale of neglect and rediscovery than that of Bette Howland . . . W-3 is one hell of a debut . . . It offers us a portal to a particular time and place, yet the compassion and truthfulness that underlies the writing renders it timeless, as urgent a read now as when it was first written nearly half a century ago. -- Lucy Scholes * Paris Review * Full of calibrated grace, and startlingly unmediated . . . [W-3] is remarkably perceptive and wise -- Katy Waldman * New Yorker * A story about her neighbor' s heart, not her own-an anthology of the lives she encounters in the ward known as W-3. [Howland tells] the story of a collective with blunt clarity, and sidestepping the genre' s potential for sentimentality or sensationalism. She brings the particularities of the world to life -- Parul Sehgal * New York Times * I was much moved by W-3. It is admirably straight and thoughtful, tough-minded but full of powerful feeling. The patients of W-3, black and white, men and women, dizzy, endearing, suicidal, doomed, come to us from these pages not as case studies but as our own brothers and sisters. No poses are struck and no vain gestures made in this brave and honorable book. Bette Howland is a real writer. -- Saul Bellow, Nobel Prize winning author of Seize the Day In an earlier book, W-3, the moving and heroically funny account of Miss Howland' s stay in the psychiatric ward of a university hospital after she had swallowed a fistful of sleeping pills, her tough and resilient personality brought a remarkably clearheaded way of seeing and knowing to that chaotic refuge of the dispossessed. * The New York Times * Bette Howland is at her best when her keenly observing eye is turned outward. Watching, always watching, she misses nothing, grasps everything, and puts it all together with an originality and cogency that are rare and memorable . . . she writes as if she were a participant-observer, a novelist-anthropologist in a strange, often perplexing new place. -- Johanna Kaplan * Commentary * W-3 is a portrayal of mental illness like none other. More claustrophobic than Girl, Interrupted and more frightening than The Bell Jar, Howland' s memoir maps the world of a 1970s psychiatric ward with an unflinching eye. -- Esme Weijun Wang, author of The Collected Schizophrenias Howland tracks our madnesses and oddnesses . . . Her work lies in a borderland between sociology and poetry -- Abigail Deutsch * Harper' s Magazine * [Her] sentences continue to beat with a stylish percussion and a glowing heart -- Donna Rifkind * Wall Street Journal * Howland' s powers of observation are like military-grade weapons. * University of Chicago Magazine * In W-3, Bette Howland continues to help us re-imagine the depth and breadth of humanity that a single book can contain, not only in her willingness to portray the vicissitudes of her own experience, but to observe, to empathize, to listen to and take such care with the individuals she encounters along the way. -- Lynn Steger Strong, author of Want Among the many chronicles of depression and psych wards, Howland' s is uniquely arresting in its omniscient attention, radiant artistry, zealously pursued insights, and abiding respect for those who share her struggle. -- Donna Seaman Bette Howland wrote a book I thought was impossible to write. -- Yiyun Li A master of silences, of the unsaid, of what cannot be addressed -- Jenessa Abrams * Guernica * With its incisive humor and unsparing descriptions, W-3 refuses a tidy resolution, instead showing how all the ' clumsy, good intentions' in the world can' t always provide a cure for the horror and tedium of losing one' s mind. * Minneapolis Star Tribune * A gallery of marvelously, devastatingly precise miniatures of Howland' s fellow inmates. Howland' s eye for detail is unfailingly sharp. She has the cartoonist' s knack of seizing and drawing out a person' s specific mannerisms and fixations, but what results is never caricature; rather, her depiction of the patients of W-3 is sensitive and sympathetic but powerfully unsentimental. -- Sarah Chihaya * Bookforum * Whether you call it fiction or memoir, essay or reportage, Howland' s work manages to feel both rooted in its twentieth century milieu and absolutely at home among today' s genre-agnostic writing. -- Laurie Muchnick * Kirkus * No pride or showing-off here; the craft lies in restraint, in what T. S. Eliot calls "a continual self-sacrifice, a continual extinction of personality. " . . . Howland' s writerly carpentry-measure twice, cut once-is exquisite. -- Anthony Domestico * Commonweal *

- Author Bio -

Bette Howland (1937-2017) was the author of three books: W-3, Blue in Chicago, and Things to Come and Go. She received a MacArthur Fellowship in 1984, after which, though she continued writing, she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art.

- Full Details -

Status:	Indent title, imported to order
ISBN-13:	9781736370902
Published:	11 Aug 2022
Published In:	United States
Imprint:	A Public Space
Publisher:	A Public Space
Format:	Paperback
Height:	203mm
Width:	127mm
Pages:	224

- Delivery ETA -

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