Symbionts

Contemporary Artists and the Biosphere

Symbionts
Caroline A Jones, Natalie Bell
RRP:
NZ$ 120.00
Our Price:
NZ$ 96.00
Paperback
h254 x 178mm - 232pg
18 Oct 2022 US
International import eta 7-19 days
9780262544481
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Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. The texts and artworks in Symbionts provoke a necessary conversation about our species and its relation to the planet. Are we merely "mammalian weeds," as evolutionary biologist Lynn Margulis put it? Or are we partners in producing and maintaining the biosphere, as she also suggested? Symbionts reflects on a recent revolution in bio art that departs from the late-1990s code-oriented experiments to embrace entanglement and symbiosis ("with-living"). Combining documentation of contemporary artworks with texts by leading thinkers, Symbionts, which accompanies an exhibition at MIT List Visual Arts Center, offers an expansive view of humanity' s place on the planet. Color reproductions document works by international artists that respond to the revelation that planetary microbes construct and maintain our biosphere. A central essay by coeditor Caroline Jones sets their work in the context of larger discussions around symbiosis; additional essays, an edited roundtable discussion, and selected excerpts follow. Contributors explore, among other things, the resilient ecological knowledge of indigenous scholars and artists, and "biofiction," a term coined by Jones to describe the work of such theoretical biologists as Jacob von Uexku? ll as well as the witty parafictions of artist Anicka Yi. A playful glossary puts scientific terms in conversation with cultural ones.
Caroline A. Jones is an art historian, author, and curator and Professor in the History, Theory, and Criticism in the Department of Architecture at MIT. She is the author of, most recently, The Global Work of Art- World' s Fairs, Biennials, and the Aesthetics of Experience. Natalie Bell is Curator at the MIT List Visual Arts Center and editor or coeditor of several exhibition publications, including Matthew Angelo Harrison (MIT Press).

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