Red Metropolis

Socialism and the Government of London

Red Metropolis
Owen Hatherley
RRP:
NZ$ 35.00
Our Price:
NZ$ 28.00
Paperback
h197 x 130mm - 266pg
10 Nov 2020 UK
International import eta 7-19 days
9781913462208
Out Of Stock
Currently no stock in-store, stock is sourced to your order
London is conventionally seen as merely a combination of the financial centre in the City and the centre of governmental power in Westminster, a uniquely capitalist capital city. This book is about the third London - a social democratic twentieth-century metropolis, a pioneer in council housing, public enterprise, socialist design, radical local democracy and multiculturalism. If governmental power is embodied in the Palace of Westminster and financial power in the cluster of skyscrapers in the City, then this London is centred on the South Bank - County Hall, the Festival Hall, the National Theatre, Coin Street and City Hall. This book charts the development of this municipal power base under leaders from Herbert Morrison to Ken Livingstone, and its destruction in 1986, leaving a gap which has been only very inadequately filled by the Greater London Authority under Livingstone, Johnson and Khan. Rather than fashionable handwringing about the ' metropolitan elite' , this book makes a case for London pride on the left, and an argument for reclaiming this history and using that pride as a weapon against a government of suburban landlords that ruthlessly exploits Londoners.
"No one else writes so clearly yet with such elegiac intensity about the symbiosis that exists between history and the built environment, or the lives that are caught, mangled and realised in its midst. " "Hatherley is a hugely knowledgeable and passionate advocate for architecture and planning, a cracking writer, and an undervalued figure of the left. For anyone daring to tackle social issues, Red Metropolis should be compulsory reading. " "This book captures, like no other, the way London local government has been a tumultuous political battle ground and the breeding ground of radical political ideas and social movements. It stands as an excellent basis from which to launch the next wave of radical thinking about the future of the capital. "
Owen Hatherley writes regularly on aesthetics and politics for, among others, the Architectural Review, the Calvert Journal, Dezeen, the Guardian, Jacobin, the London Review of Books and New Humanist. He is the author of several books, most recently Landscapes of Communism (Penguin 2015), The Ministry of Nostalgia (Verso, 2016) and The Chaplin Machine (Pluto, 2016), the last of which is based on a PhD thesis accepted by Birkbeck College in 2011.

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