No Honour

No Honour
Awais Khan
RRP:
NZ$ 29.99
Our Price:
NZ$ 23.99
Paperback
Not defined
19 Aug 2021 UK
International import eta 10-19 days
9781913193782
Out Of Stock
Currently no stock in-store, stock is sourced to your order
A young woman defies convention in a small Pakistani village, with devastating results for her and her family. A stunning, immense beautiful novel about courage, family and the meaning of love, when everything seems lost. . . ' A compelling and compassionate story' Anna Mazzola, author of The Story Keeper' A shocking portrait of lives lived under the shadow of threat and prejudice. A brave book' Vaseem Khan, author of the Inspector Chopra series' Addictive, brave and powerful' Louise Fein, author of People Like Us' Beautifully written and immersive, No Honour starts with a powerful opening that propels you into the shocking themes. A must-read' Sarah Pearse, author of The Sanatorium_______________In sixteen-year-old Abida' s small Pakistani village, there are age-old rules to live by, and her family' s honour to protect. And, yet, her spirit is defiant and she yearns to make a home with the man she loves. When the unthinkable happens, Abida faces the same fate as other young girls who have chosen unacceptable alliances - certain, public death. Fired by a fierce determination to resist everything she knows to be wrong about the society into which she was born, and aided by her devoted father, Jamil, who puts his own life on the line to help her, she escapes to Lahore and then disappears. Jamil goes to Lahore in search of Abida - a city where the prejudices that dominate their village take on a new and horrifying form - and father and daughter are caught in a world from which they may never escape. Moving from the depths of rural Pakistan, riddled with poverty and religious fervour, to the dangerous streets of over-populated Lahore, No Honour is a story of family, of the indomitable spirit of love in its many forms . . . a story of courage and resilience, when all seems lost, and the inextinguishable fire that lights one young woman' s battle for change. _______________' A stunningly written, immensely important book' A. A. Chaudhuri' Perfectly paced story structure and eloquent dialogue . . . shocking, deeply moving and hugely important' Carol Lovekin' A deft novel about survival, physical and emotional, in Pakistan . . . and a fascinating plunge into unfairness, sexism, patriarchy and misogyny . . . a page-turner' Soniah Kamal' A deeply engaging story that keeps you hooked from the first sentence to the end . . . a masterful story of courage in the face of seemingly impossible odds' Sopan Deb' An absolute belter of a novel . . . Hypnotic, atmospheric and by the end, so hopeful' Sarah Sultoon ' A compelling, brave and uplifting read for our time' Eve Smith' Rich with wounding truths, numinous matters and cultural nourishment . . . you are left reeling from an experience that is soul deep and mind blowing and heart wrenching' Faiqa Mansab' A powerful, beautifully written novel. With surgical precision, Awais Khan exposes a culture poisoned by misogyny . . . A strong contender for the best novel of 2021' Alan Gorevan' Spectacular. . . a joy from start to finish' Charlie Carroll' Khan is an icon, pioneer and inspiration. This book is devastating, vitally important and beautifully written' Rob Parker' Insightful and sympathetic to the unique experiences of women, whilst evoking the atmosphere of Lahore . . . hard to put down' Alex Morrall' A gripping, horrifying, compulsive read with two rich, compelling lead characters' Jennie Godfrey
Awais Khan is a graduate of the University of Western Ontario and Durham University. He has studied creative writing with Faber Academy. His debut novel, In the Company of Strangers, was published to much critical acclaim and he regularly appears on TV and Radio. Awais also teaches a popular online creative writing course to aspiring writers around the world. He is currently working on his third book. When not working, he has his nose buried in a book. He lives in Lahore.

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