New Material Histories of Music #: Musical Migration and Imperial New York

Early Cold War Scenes

New Material Histories of Music #: Musical Migration and Imperial New York
Brigid Cohen
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NZ$ 104.99
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Hardback
h229 x 152mm - 376pg
11 Apr 2022 US
International import eta 10-30 days
9780226818016
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Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varese, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city' s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.

Haydn Economy, The: Music, Aesthetics, and Commerce in the Late Eighteenth Century
Mozart and the Mediation of Childhood
Musical Migration and Imperial New York: Early Cold War Scenes
Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955

"This is a field-changing book. Cohen calls to account many legends about experimental music in New York and strips away the heroic storytelling of the past to reveal uncomfortable truths about the racial and imperial underpinnings of modern music in the United States. In Cohen' s study, hard-to-find and fragmentary sources are brought to light in ways that change what we know. The readings of music and sound are deeply illuminating, sometimes breathtaking, in their revelations and in their surprising connections with biographical detail. " * Danielle Fosler-Lussier, Ohio State University * "In Musical Migration and Imperial New York, we witness a scholar working at the height of her powers. Through this expansive and novel history, we watch fascinating yet understudied actors play out their imperialist and technological fantasies on an urban landscape marked by racial and gendered differences. After reckoning with Cohen' s reenvisioning, scholars of twentieth-century music, art, and urban life will have to rethink the New York City they thought they knew. " * Ryan Dohoney, Northwestern University * "Conventional approaches to experimental music tend to overemphasize the idea of ' musical genius' and often lead to problematic exceptionalist narratives. In Musical Migration and Imperial New York, Cohen sidesteps this problem by focusing on the ways in which experimental artists as aesthetically and ideologically varied as Charles Mingus, Vladimir Ussachevsky, or Yoko Ono mediated conversations about belonging at the intersection of external geopolitical power plays and internal assimilation. Cohen' s acutely tuned ear and brilliant prose guide us through the rich and thrilling experience of listening to the physiognomic overtones of citizenship, migration, and empire building as they shaped the development of experimental art and music scenes in Cold War New York City. " * Alejandro L. Madrid, Cornell University *
Brigid Cohen is associate professor of music at New York University. Her first book, Stefan Wolpe and the Avant-Garde Diaspora, won the Lewis Lockwood Prize of the American Musicological Society.
Status: Active
ISBN-13: 9780226818016
Published: 11 Apr 2022
Published In: United States
Imprint: University of Chicago Press
Publisher: University of Chicago Press
Format: Hardback
Height: 229mm
Width: 152mm
Pages: 376

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