Marcel Duchamp (Bilingual)

Die Erfindung der Gegenwart / Inventing the Presence

Marcel Duchamp (Bilingual)
Paul B Franklin, Marcel Duchamp, Sarah Archino, Kornelia von Berswordt-Wallrabe, Patricia Bethlen, Deborah Burgel, Gerhard Graulich, Sarah Kolb
RRP:
NZ$ 65.00
Our Price:
NZ$ 52.00
Paperback
h240 x 170mm - 304pg
8 Oct 2020 GE
International import eta 7-19 days
9783775747295
Out Of Stock
Currently no stock in-store, stock is sourced to your order
Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fountain, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research centre has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis.
MARCEL DUCHAMP: Actually Henri-Robert-Marcel Duchamp (1887-1968), Duchamp is one of the pioneers of Dadaism and Surrealism. His views posed radical questions about the concept of art and introduced the readymade to the art world. KORNELIA ROEDER: Studied art history at Humboldt University in Berlin. Curator of the Staatliche Schloesser, Garten und Kunstsammlungen (state palaces, gardens, and art collections) in Mecklenburg-Vorpommern. She and Gerhard Graulich have headed the Duchamp Research Center since 2009. GERHARD GRAULICH: Studied art history, German, and philosophy at the Ruhr University in Bochum. He has been at the Staatliches Museum in Schwerin since 1994 in a variety of capacities, such as curator, head of the painting department, and assistant director; he is now co-chief of the Duchamp Research Center with Kornelia Roeder.

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