Edward Hopper

A Fresh Look at Landscape

Edward Hopper
Erika Doss, Ulf Kuster, Fondation Beyeler Riehen / Basel, David Lubin, Katharina Ruppell
RRP:
NZ$ 130.00
Our Price:
NZ$ 104.00
Hardback
h300 x 274mm - 168pg
27 Feb 2020 GE
International import eta 7-19 days
9783775746540
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Edward Hopper's world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper's iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.
Casting a caustic eye on modernity and a watchful one upon nature, Hopper ranks among the most haunting of the last Romantics.--David Anfam "Art Newspaper"
Edward Hopper's world-famous, instantly recognizable paintings articulate an idiosyncratic view of modern life, unfolding in a world of lonely lighthouses, gas stations, movie theaters, bars and hotel rooms.--Editors "ARTFIXdaily"
EDWARD HOPPER (1882-1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day.
Status: Active
ISBN-13: 9783775746540
Published: 27 Feb 2020
Published In: Germany
Imprint: Hatje Cantz
Publisher: Hatje Cantz
Format: Hardback
Height: 300mm
Width: 274mm
Weight: 1500g
Pages: 168

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