Detective Club Crime Classics: The Conjure-Man Dies

Detective Club Crime Classics: The Conjure-Man Dies
Stanley Ellin, Rudolph Fisher
Our Price:
NZ$ 25.00
Paperback
h198 x 129mm - 304pg
2 Dec 2020 UK
International import eta 7-19 days
9780008216474
Out Of Stock
Currently no stock in-store, stock is sourced to your order
A unique crime classic: the very first detective novel written by an African-American, set in 1930s New York with only black characters. When the body of N' Gana Frimbo, the African conjure-man, is discovered in his consultation room, Perry Dart, one of Harlem' s ten black police detectives, is called in to investigate. Together with Dr Archer, a physician from across the street, Dart is determined to solve the baffling mystery, helped and hindered by Bubber Brown and Jinx Jenkins, local boys keen to clear themselves of suspicion of murder and undertake their own investigations. The Conjure-Man Dies was the very first detective novel written by an African-American. A distinguished doctor and accomplished musician and dramatist, Rudolph Fisher was one of the principal writers of the Harlem Renaissance, but died in 1934 aged only 37. With a gripping plot and vividly drawn characters, Fisher' s witty novel is a remarkable time capsule of one of the most exciting eras in the history of black fiction. This crime classic is introduced by New York crime writer Stanley Ellin, and includes Rudolph Fisher' s last published story, ' John Archer' s Nose' , in which Perry Dart and Dr Archer return to solve the case of a young man murdered in his own bed.
' Highly readable, wholly entertaining. ' -Stanley Ellin' A well-constructed thriller of a little-known side of Harlem life, with a Black detective to solve the crime and with just enough humour on the side. ' -Rumana McManis, New York Times' A detective story of the first class, written with adroitness, humor, and a clever plot. ' -Boston Transcript' . . . a puzzling mystery yarn which is at the same time a lively picture of Harlem. . . ' -New York Times' Captures the historically induced unique qualities of Black people. ' -Oliver Henry, The Harlem Renaissance' As far as crime fiction goes, The Conjure-Man Dies gets down and dirty in a style more in the American hardboiled fashion than the British country house fashion. And it does seem likely that Fisher, besides reading Agatha Christie, read Dashiell Hammett and other early hardboiled writers. ' -L. A. Review of Books
One of the premier writers of the Harlem Renaissance, Rudolph Fisher wrote stories depicting the multifaceted black urban experience that are still acclaimed today for their humor, grace, and objective view of Harlem life. Through his words, wrote the New York Times Book Review, ' one feels, smells, and tastes his Harlem; its people come alive and one cares about them. '

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