Brickmakers

Brickmakers
Annie McDermott, Selva Almada
RRP:
NZ$ 36.99
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NZ$ 30.52
Paperback
h198 x 129mm - 197pg
2 Nov 2021 UK
9781913867065
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Two young men, Pajaro Tamai and Marciano Miranda, are dying in a deserted amusement park. The story begins almost at its end, just after the two main characters have faced off in a knife fight: the culmination of a rivalry that has pitted them against one another since childhood. The present in Brickmakers is a state of impending death, at moments marked by dream-like visions: Marciano is visited by the ghost of his father, who was murdered when he was a teenager, a father he had sworn to avenge, in a promise he could not keep. Pajaro is also visited, in a recurring nightmare, by his abusive father who disappeared years earlier. Narrated with fury and passion, reminiscent of William Faulkner or Katherine Anne Porter, Brickmakers is a rural tragedy in the great American tradition, a story of love, honour and violence where everything is at stake. Reprising the powerful imagery and the filmic landscape of The Wind That Lays Waste, and the threatening atmosphere of Dead Girls, Brickmakers is yet another proof of Almada' s extraordinary talent.
"A successful riff on a classic Shakespearean tale. " -Publishers Weekly********** Praise for Selva Almada"Almada combines reportage, fiction, and autobiography to explore femicide in Argentina in her acute, unflinching latest. " -Publishers Weekly, starred review"Almada' s prose is sparse, but the details count. Her ear for dialogue and especially gossip is pitch perfect. Her eye for detail is hawkish. " -LA Review of Books"Part journalism, part history, part autobiography, part relentless nightmare. " -Shelf Awareness, starred review"Not an easy book, but it feels like an important one - a work of investigative writing about how easily women' s lives are obscured. " -The Scotsman"An unassuming yet intensely felt narrative. (4 stars)" -The Arts Desk"This is a powerful read. . . [Almada' s] effective use of fiction ensures a deep empathy in her readers which strict reportage sometimes fails to evoke. " -The Big Issue"Genre-defying, with beautifully crafted and reflective prose. " -The F Word"You' ll walk away from this book with a vivid memory of where you were, how you were feeling, and what the weather was like on the day that you read Dead Girls. " -Books and Bao"The literary quality of the text shines. " -Sound and Vision"The prose strikes a perfect tone - clinical and punchy when necessary, angry and lyrical, brutal yet humanistic. " -TN2"Exquisite prose that vibrates with a deep, melodious rage. " -The Monthly Booking"It' s crisp, bracing, and beautiful. " -White Review"It is a profound novel and call to action still relevant as activists continue to take to the streets throughout Latin America to decry, ' ni una mas' (not one more). " -The Skinny"A tense, precise chronicle that treats seriously a still serious subject. " -El Cultural"A powerful read, shedding a stark light on the horrors of gender violence. " -The Big Issue"This is not a book that will make you feel at peace with the world, but that is precisely where its strength and persuasion lie. " -Translating Women"Challenge[s] the true crime obsession in an indirect way. " -Pendora Magazine"What makes the book compelling is how the author explores issues of domestic violence, state complicity, machismo and family negligence, along with class and social inequalities, in a non-sentimental prose which is all the more effective as result. " -Morning Star"Part coming-of-age, part detective work, partly a web of rumors, Almada' s story fuses a variety of genres to create a work that splits the seams of personal narrative, journalism, and fiction. " -NACLA"The devastating conclusion of the narrator is that the women who survive are unlikely to have made it unscathed but they are lucky ones - lucky to be alive. " -NB Magazine"Fate has in Dead Girls the perfume of a Greek tragedy: immutable, irreversible, lethal. " -El Pais"Far from the detective story, this is an intimate tale, a certain negative of the autobiography of a young woman looking at other young women and how all of them are perceived by a society where misogyny and violence against them is still an everyday affair. " -Pagina/12"Selva Almada reinvents the imaginative rural world of a country. She is an author gifted with a very uncommon power and sensitivity. " -Rolling Stone (Argentina)"Dead Girls is a brutal, necessary story in which Almada describes the crimes, states the facts and lays bare the horror of these femicides. " -Tony' s Reading List"Gripping, shocking and sad. " -The Book SatchelEdinburgh International Book Festival First book Award (Winner) Book Cover of the Year (Saltire Awards) (Winner)"Like Flannery O' Connor and Juan Rulfo, Almada fills her taut, eerie novel with an understanding of rural life, loneliness, temptation and faith. " -BBC Culture"Billed as a ' promising voice' in Latin American literature, this tale delivers readily on that promise. " -Booklist"The drama of this refreshingly unpredictable debut . . . smolders like a lit fuse waiting to touch off its well-orchestrated events. . . . A stimulating, heady story. " -Publishers Weekly"The story packs a punch in its portraits of a man who exalts heaven and another who protests. " -Kirkus"A dynamic introduction to a major Latin American literary force. " -Shelf Awareness, starred review"[The Wind That Lays Waste] delivers exactly that compressed pressurised electricity of a gathering thunderstorm: it sparks and sputters with live-wire tension. " -TANK Magazine"The Wind That Lays Waste is elegant and stark, a kind of emblem or vision fetched from the far edges of things, arrested and stripped to its essence, as beautiful as it is unnerving. "" -Paul Harding, author of TINKERS"The Wind That Lays Waste is a mesmerizing novel, at once strange and compelling. "" -Bonnie Jo Campbell, author of MOTHERS, TELL YOUR DAUGHTERS"The quality and resolve of her prose produce a power of suggestion that is unique to Selva Almada. " -El Pais"The best novel written in Argentina in the last few years? Don' t know, and don' t care, but you must read Selva Almada. " -El Pais"Almada' s prose has a touch of the Faulkner of As I Lay Dying but passed through the filters of the dirty light of the cotton fields and the clean clothes worn by country people to Sunday mass. "" -German Machado"A distinctive debut: atmospheric, tension-packed, and written in vivid, poetic language. " -Books from Scotland"Perhaps most powerful in the book is Almada' s focus on detail she skillfully renders the story of a day in brief chapters that reveal the thoughts and fleeting encounters of characters, who are largely living inside themselves. " -Ploughshares"Almada' s nuanced approach leaves room to explore her characters' pasts in some detail, but, crucially, these individuals . . . are not defined by their mistakes. " -ZYZZYVA"What seems fantastical soon turns hyper-realistic, in a style that is reminiscent of Juan Rulfo or Sara Gallardo. " -La Nacion**********
Compared to Carson McCullers, William Faulkner, Flannery O' Connor, Sara Gallardo and Juan Carlos Onetti, Selva Almada (Entre Rios, Argentina, 1973) is considered one of the most powerful voices of contemporary Argentinian and Latin American literature and one of the most influential feminist intellectuals of the region. Including her debut _The Wind that Lays Waste, _she has published two novels, a book of short stories, a book of journalistic fiction and a kind of film diary (written in the set of Lucrecia Martel' s most recent film Zama, based on Antonio di Benedetto' s novel). She has been finalist of the Rodolfo Walsh Award and of the Tigre Juan Award (both in Spain). Her work has been translated into French, Italian, Portuguese, German, Dutch, Swedish and Turkish. This is her second book to appear in English after _The Wind that Lays Waste _(Winner of the EIBF First Book Award 2019). Annie McDermott' s published and forthcoming translations include Mario Levrero' s Empty Words and The Luminous Novel (And Other Stories and Coffee House Press), Feebleminded by Ariana Harwicz (co-translation with Carolina Orloff, Charco Press) and City of Ulysses by Teolinda Gersao (co-translation with Jethro Soutar, Dalkey Archive Press). Her translations, reviews and essays have appeared in Granta, The White Review, World Literature Today, Asymptote, the Times Literary Supplement and LitHub, among others. Annie also edits books for Charco Press, including Julian Fuks' Resistance and Giuseppe Caputo' s An Orphan World. Her translation of Almada' s third novel, Brickmakers, will come out with Charco Press and Graywolf in 2021.
Status: Active
ISBN-13: 9781913867065
Published: 2 Nov 2021
Published In: United Kingdom
Imprint: Charco Press
Publisher: Charco Press
Format: Paperback
Height: 198mm
Width: 129mm
Pages: 197

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