Surrealist Sabotage and the War on Work

Surrealist Sabotage and the War on Work
Abigail Susik
RRP:
NZ$ 67.00
Our Price:
NZ$ 53.60
Paperback
h240 x 170mm - 296pg
31 Jan 2023 UK
Eta 3-5 days from NZ Market Release
9781526169501
Out Of Stock
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In Surrealist sabotage and the war on work, art historian Abigail Susik uncovers the expansive parameters of the international surrealist movement' s ongoing engagement with an aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work. In four case studies devoted to surrealism' s transatlantic war on work, Susik analyses how artworks and texts by Man Ray, Andre Breton, Simone Breton, Andre Thirion, Oscar Dominguez, Konrad Klapheck, and the Chicago surrealists, among others, were pivotally impacted by the intransigent surrealist concepts of principled work refusal, permanent strike, and autonomous pleasure. Underscoring surrealism' s profound relevance for readers engaged in ongoing debates about gendered labour and the wage gap, endemic over-work and exploitation, and the vicissitudes of knowledge work and the gig economy, Surrealist sabotage and the war on work reveals that surrealism' s creative work refusal retains immense relevance in our wired world.
' This original and enthralling work is not only indispensable for understanding the political and revolutionary core of surrealism but for rethinking strategies of resistance and creation in the present. With this lucid critical study, Abigail Susik recovers an insurgent surrealism at a moment when global capitalism is escalating the immiseration of human labour and when its productivist imperatives are devastating the planet. ' Jonathan Crary, Meyer Schapiro Professor of Modern Art and Theory, Columbia University ' Abigail Susik' s brilliant account of surrealism' s sustained aesthetic subversion and outright attack on compulsive wage labour and its genealogy in the late-nineteenth century radically reorients our understanding of this influential international movement. With great erudition and conceptual savvy, she places surrealism in the social history of work-place rationalisation, labour struggles and the feminisation of white-collar labour. Surrealist automatism is shown to function like work-to-rule sabotage. Automatic writing emerges as a gendered subversion of the automation of the work place present in surrealist photography and in the eroticised imagery of the typewriter and the sewing machine. Surrealism can still inspire challenges to the nature and organisation of work in the information age. ' Andreas A. Huyssen, Villard Professor of German and Comparative Literature, Columbia University -- .
Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945 (2021)

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