The Reason for the Darkness of the Night

Edgar Allan Poe and the Forging of American Science

The Reason for the Darkness of the Night
John Tresch
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NZ$ 39.99
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NZ$ 29.99
Paperback
h210 x 137mm - 448pg
4 Oct 2022 US
International import eta 7-19 days
9781250849403
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9780374247850 Hardback

An innovative biography of Edgar Allan Poe--highlighting his fascination and feuds with science. Decade after decade, Edgar Allan Poe remains one of the most popular American writers. He is beloved around the world for his pioneering detective fiction, tales of horror, and haunting, atmospheric verse. But what if there was another side to the man who wrote "The Raven" and "The Fall of the House of Usher"? In The Reason for the Darkness of the Night, John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe' s obsession with science and lifelong ambition to advance and question human knowledge. Even as he composed dazzling works of fiction, he remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era' s most prominent scientists, semi-scientists, and pseudo-intellectual rogues. As one newspaper put it, "Mr. Poe is not merely a man of science--not merely a poet--not merely a man of letters. He is all combined; and perhaps he is something more. " Taking us through his early training in mathematics and engineering at West Point and the tumultuous years that followed, Tresch shows that Poe lived, thought, and suffered surrounded by science--and that many of his most renowned and imaginative works can best be understood in its company. He cast doubt on perceived certainties even as he hungered for knowledge, and at the end of his life delivered a mind-bending lecture on the origins of the universe that would win the admiration of twentieth-century physicists. Pursuing extraordinary conjectures and a unique aesthetic vision, he remained a figure of explosive contradiction: he gleefully exposed the hoaxes of the era' s scientific fraudsters even as he perpetrated hoaxes himself. Tracing Poe' s hard and brilliant journey, The Reason for the Darkness of the Night is an essential new portrait of a writer whose life is synonymous with mystery and imagination--and an entertaining, erudite tour of the world of American science just as it was beginning to come into its own.
Tresch does a fine job balancing insightful discussions of Poe' s literary works alongside his intriguing scientific pursuits. A surprising side of Poe splendidly revealed. --Kirkus Reviews"This biography is a masterwork on a master, and one of my favorite reads in years. John Tresch lets the reader see how Poe' s imagination was not only wild but also procedural, not only unbounded but also formal. In these pages, we meet the engineer of horror, the trickster of reason, and the mutinous captain of mystery. " --Rivka Galchen, author of Everyone Knows Your Mother Is a Witch and American Innovations"In this original and moving biography, John Tresch brilliantly integrates Poe the man and the writer with his deep engagement with the sciences of his day. He lucidly reveals the content of these fascinations, and convincingly illuminates their powerful influence on Poe' s writings and thought. Tresch discerns Poe' s privileging of mind and mystery over frigid empiricism and his terrifying perception that only spiritual darkness lay beneath the surface of the material knowledge that was transforming the world. A transfixing and eye-opening portrait. " --Daniel J. Kevles, professor emeritus of history at Yale University and author of In the Name of Eugenics and The Physicists "At last, a biography of Poe that places him in the thick of the philosophical and scientific investigations of his time, reclaiming the rigor of his thought, the inventiveness of his writings, and a personality as visionary as it is audacious. John Tresch gives us the Poe whose deepest preoccupations became a threat to the smug morality, highfalutin cant, and ' doggerel aesthetics' of his contemporaries. An astonishing feat of research and beautiful prose, this book gives Poe what he has long deserved. " --Colin Dayan, author of In the Belly of Her Ghost and Animal Quintet "This marvelous time machine transports us deep into the nineteenth century and the company of its most fascinating citizens. Poetry, mesmerism, the rise of American science--it' s all here, as vivid as can be. " --Fred Turner, Harry and Norman Chandler Professor of Communication at Stanford University and author of The Democratic Surround"Poe' s devilish analytical wit and radical aesthetic genius through John Tresch' s marvelously informative biography. The great poet' s delirious cosmological artifices, Tresch shows, are in dialogue with his wide-ranging knowledge of technology, empirical method, materialism, and the newly forming scientific institutions--and trickster spectacles--of his time. " --Charles Bernstein, professor emeritus of English at the University of Pennsylvania and author of Near/Miss and A Poetics"John Tresch juxtaposes Poe' s biography with the rise of American science to turn a familiar story into a mesmerizing narrative, cast like a magic lantern show. Almost everything the author wrote takes on stunning new meaning. This is Poe wrestling with the big questions--and Tresch unfolding the history of a momentous cultural revolution. " --J. Gerald Kennedy, author of Strange Nation"John Tresch' s The Reason for the Darkness of the Night is a lively and learned investigation of the life of Poe through his literary engagement with science--an accessible and exciting exploration. " --Richard Kopley, author of Edgar Allan Poe and the Dupin Mysteries"John Tresch' s engaging biography of an enigmatic genius puts Edgar Allan Poe right where he belongs: present at the creation of American science. " --Richard R. John, author of Network Nation
John Tresch is Professor of History of Art, Science, and Folk Practice at the Warburg Institute in the University of London. He previously taught history of science and technology in Philadelphia at the University of Pennsylvania for over a decade. He has held fellowships at the New York Public Library, Columbia University, the University of Chicago, the Max Planck Institute for the History of Science, and the Ecole des Hautes Etudes en Sciences Sociales. He is the author of The RomanticMachine: Utopian Science and Technology after Napoleon.

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