Adapting Performance Between Stage and Screen

Adapting Performance Between Stage and Screen
Victoria Lowe
RRP:
NZ$ 88.99
Our Price:
NZ$ 84.54
Paperback
h244 x 170mm - 220pg
20 Jan 2023 UK
Eta 3-5 days from NZ Market Release
9781789387506
Out Of Stock
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Adapting Performance Between Stage and Screen provides an introduction to adaptations between theater and film, establishing a framework for considering these as distinct from literary adaptation. The book places emphasis on performance and event, opening new avenues of exploration to include non-literary issues such as the treatment of space and place, mis en scene, acting styles, and star personas. The recent growth of digital theater is examined to foreground the "events" of theater and cinema-largely ignored in adaptation studies-with phenomena such as National Theatre Live analyzed for the different ways that "liveness" is adapted. Drawing from case studies that explore distinct periods in British film and theater history, the volume looks at issues surrounding theatrical naturalism and cinematic realism and illustrates the principle that adaptations can' t be divorced from the historical and cultural moment in which they are produced. Adapting Performance Between Stage and Screen explores how cultural values can be articulated in the act of translating between media, providing a new framework for the discussion of theater and film as dramatic works.
The author offers very good readings and analysis of a wide range of texts from well-known classics to more obscure works, spanning the popular, the populist and the avant-garde. It is thrilling to read a book that can discuss Steven Spielberg or Alfred Hitchcock in one place and Robert Lepage or Ivo van Hove in another . . . It is an exciting volume that plugs an important gap in current cross-media scholarship. -- Richard Hand, Professor of Media Practice at the University of East Anglia and Editor of the Journal of Adaptation in Film & Performance This book offers an original analysis which emphasizes performance and event (rather than literary texts) as the basis for analyzing different examples of adaptation. In terms of case studies, it offers interesting and worthwhile insights into some quite familiar material but also takes on relatively new examples of the exchange between theatre and film in its discussion of live-casting and the recent dominance of staged films in British theatre . . . an excellent account of an important topic. -- Christine Geraghty, Professor of Film and Television, University of Glasgow,
Victoria Lowe is a lecturer in drama and screen studies at the University of Manchester, United Kingdom. Her research interests include stage/screen adaptation, theatricality in the cinema, intermediality, screen acting and stardom and the voice in cinema.

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